Visualisation
(mental imagery)
By Jimmy Henderson
Visualisation or mental imagery can be
described as the ability to create dynamic mental pictures using the
imagination. This faculty of conscious imagery has been well-researched in
psychology, and experimental evidence has shown that, using a ‘concentration of
mind’, three-dimensional images having an almost tangible quality,
can be formed and manipulated.
During imagery, we use the mental spaces or
inner ‘visual fields’ resulting from a quiet and controlled state of mind to display
impressions, images or entire visual dramatizations involving different
persons, places and objects. Some might argue that this is merely toying with
the imagination or synonymous with day-dreaming, but evidence suggests that
conscious, focused and directed mental creation is different from the
undisciplined ‘wanderings’ of the mind, and certainly more powerful.
Its effectiveness is based on research which
suggests that the unconscious mind cannot always accurately differentiate
between an inner (imagined) experience and an identical real-life situation. Proof
of this would be the cold sweats, accelerated breathing and heart-rate we
experience during nightmares or very explicit dreams. In other words, if
processed correctly, a recreated mental enactment can bring about the same
changes in bodily sensations, state of mind and consciousness as if the event was
actually taking place.
Conscious imagery therefore enables us to reproduce
visual enactments based on our deepest desires and goals, and this has been
shown to be a great tool in self-development. For instance, by actively
formulating our own ‘scripts’, we can create imaginary scenarios directed at positive
growth-outcomes, which in turn, can produce highly motivational feelings of excitement,
anticipation and expectation. In other words, we use visualization to bring
about changes or shifts in our mental state.
However, on a deeper level, research has
also shown that our mental involvement in recreating (visualized) highly novel
experiences (such as interacting with complex alternate versions of reality), can
challenge and even reconstruct those schemas and subliminal ‘rules’ governing
our thinking and perception.
Finally, case studies have revealed that, with
practice, visualization can be used to create an expanded field of perception surrounding
the body and even extending into the room, which opens the mind to more
detailed and expansive scenarios, as well as subtle cues from the unconscious.
Once this skill has been mastered, the unconscious mind can become a full and
willing partner in the process, able to assume control of the mental
re-enactment, causing spontaneous changes to the scene. This is the real power
of visualization, in which communications from the unconscious mind can present
themselves in the form of impromptu symbolic images, humanlike figures and
activities.
The power of
these visualizations lies in the spontaneous changes and appearances that can
take place. And, as will be seen from the case studies mentioned later, these
enactments can assume the form of biblical scenes, scientific ‘experiments’
involving advanced technology, or even alien interactions, depending on one’s belief
system and accepted paradigm of thought.
In this
regard, the phenomenon of ‘spontaneous’ imagery is acknowledged in psychology although it has not been extensively researched.
Without
this playing with fantasy no creative work has ever yet come to birth. The debt
we owe to the play of the imagination is incalculable.’
Carl Gustav Jung
The regular practice of visualisation cements
one’s relationship with the unconscious mind and exercises the imagery centres
in the brain, improving perception, focus, intuitive thought and the potential
for visions. Obviously, there are ‘terms and conditions’ attached to the
successful application of this skill, which relate once again to one’s state of
mind and ability to initiate and set powerful intentions. However, the twelve steps to the successful development
and direction of imagery have already been fully explained in my previous
publication ‘Multi-Dimensional Perception’ (2010) and will not be repeated
here.
Jimmy
Henderson is a metaphysician and the author of a number of books and
articles on inner self-development. He has an Honours degree in philosophy
(metaphysics) and a Masters degree in Psychology. He is based in Durban ,
South Africa .
His books ‘Multi-Dimensional Thinking’
(2007) and ‘Multi-dimensional
Perception’ (2010) are available on Amazon.com and Kalahari.com and can
also be ordered via his own website www.jimmyhendersonbooks.com
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